THE MUSIC OF
WILLIAM VOLLINGER 

 

of “Three Songs About the Resurrection” won first prize at the Geneva International Competition. Sound Portraits”, a collection of his vocal works featuring soprano Linda Ferraira, is recorded by Capstone. “The Violinist in the Mall” won the 2005 Friends and Enemies of New Music competition. He often uses his own texts. but has also collaborated with American hymn-poet Richard Leach and the English poet Jenny Joseph.

     2011 performances included “Let’s Talk”, a chamber opera premiered

by soprano Liana Valente; “Road Rage” premiered by tenor Gregory

Wiest in Munich, Germany;“Who Are You Waving At?” premiered by

soprano Beth Griffith; “Now Shall My Head Be Lifted Up Above My

Enemies” video shown at the University of Kentucky New Music Festival;

“Raspberry Man” performed at the Music Now Concert at Indiana State 

University; “Life’s Like a Flute, Life’s Like a Trumpet” premiered by

flutist Marie Herseth Kenote and trumpeter Jerry Lucadamo at the 2011

CFAMC Regional Conference; and “In the Spotlight” commissioned and

premiered by the Palisades Virtuosi.

     2012 performances include “Five Strange Dreams” to be premiered

as part of an exhibition of the works of artist/dreamer/singer Philip Carey

at the San Luis Obispo Museum of Art in California in February 2012;

“The Child in the Hole” performed with lecture by Dr. Liana Valente at

the College Music Society Southern Regional Conference February 23-25

in Tampa FL; “The Child in the Hole” and the world premiere of “Elsje

Christiaens: the front view” by soprano Katherine Harris and clarinetist

Dennis Dougherty at Music at Savior in Paramus, NJ on March 4 in a

joint concert with the works of composer Larry Lockwood; Robert Blaine,  trombonist, James Martin, narrator and pianist Rose Grace premiering

three new works “One Day As I Was Walking”, “The First Pharaoh” and “CDEFgab” March 7 at Jackson State University; and the premiere by the Gregg Smith Singers of a setting of Jenny Joseph’s “The Torrent” on

March 24 at Saint Peter’s Church in NYC.

      Vollinger’s music has been performed and broadcast in Europe, the

United States, and Asia. NPR devoted an hour program to his works.

Tennessee Technological University presented an entire concert of his

music.  Vollinger’s music is published by Abingdon, API, Heritage,

Neil A. Kjos, Lawson-Gould, and Laurendale, with five pieces featured

as editor’s choices in the JW Pepper Catalogue. He is a graduate of the

Manhattan School of Music, teaches Composition and Music of Diverse

Cultures at Nyack College, and directs music at Church of the Savior in

Paramus, NJ. He is also an active member of the Christian Fellowship of

Art Music Composers.

    William Vollinger seeks to explore new

musical territory while remaining accessible 

and saying something positive about the

human condition. His work has been termed

“3D: different, direct and deep.” He looks for

fresh ways of combining words and music.

The recent Navona recording of his work

“Raspberry Man” best exemplifies this

distinctive musical style, both amusing and

touching. His works have been performed by

many performers and groups including the

Gregg Smith Singers and the New York

Vocal Arts Ensemble, whose performance

      Writing in Fanfare (Dec 2003), Raymond Beegle writes “I have known his work for years and believe,

after much consideration, that there is genius in it. With astonishing depth and clarity, Vollinger brings

his subjects to life. One finds a new musical language, not born out of a desire to be new, but a desire to

be clear and to tell the truth. With all it’s freshness, it is rooted in our past traditions, felicitously circum-

venting all the chaos, all the attitudinizing, and intellectualizing, and publicizing, that litter the present

musical horizon. ”  

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photo by Paul Kiler